Adam Moore is a transdisciplinary artist and dancer using somatic, embodied choreographic processes to create installations, performances, and site-based works. He examines the fabric and spirit of life at local and global scales, translating the ephemeral and precarious substance of the world at large into forms and encounters across media – from the post-industrial landscape, local ecologies and materials of the London Docklands and the River Thames, to the Caribbean archipelagos of the lesser Antilles, the decommissioned Philips Factory in the Low Countries, and beyond. Creating environments with fine art, photography, film, design, and sound his works draw on and reflect the experiential and kinaesthetic, bringing awareness to the sensory and embodied vast and subtle movements and materials shaping internal and exterior worlds. Born in London, creole diaspora growing up in a global community, his British, Caribbean and Central American heritage is reflected in his transdisciplinary practice using situated, collaborative socially engaged forms inventing with people, places, and pluriformities.

I think that my practice overall tells the story of atemporal and experiential looping journeys – from microscopic inner worlds – emotions, and granular, subjective feeling states – out into the seemingly objective solid geometries – architectures, infrastructures, systems and materials of the universe, and observing the nuance and complexities of how these are all in flux, semi-permeable, and dissolving – into oceans, across lands and seas, between people and ecologies, within oneself, and beyond. I’m deeply curious about all these movements, the dances taking place in relation, moving constellations at vast and subtle scales. I’m interested in how these shape and give definition to life forms, places, and people. I search and find ways to  participate in these choreographies, gently initiate changes in perception and life itself for me and for others. I think this is the gesture I’m pursuing in my work.

His prints and sculpture have been presented at the V&A East Storehouse with work selected and curated from the V&A East Storehouse collections including prints by Hannah Collins and Gerald Holtom, and designs by Omega Workshops (Vanessa Bell). Collaborating with artist Lotte van Gelder (NL) they performed and curated AVALANCHE The home site at the iconic 1960s brutalist social housing Lesnes Estate in Abbey Wood, London. He exhibited prints developed as the inaugural V&A East Storehouse artist in residence at Somers Gallery, London, in the group show Las Palabras (2025). Commissioned to open the show he performed After Lands collaborating with his mother, Yvonne. He co-designed and facilitated Camden Art Centre’s Transformative Futures Youth Collective programme from 2021-2023 co-curating both annual gallery takeovers. In 2023 he was the inaugural V&A East X Bow Arts Artist Fellow and recipient of Arts Council England’s Developing Your Creative Practice award and the Jerwood New Work Fund. He has been creating commissioned public artworks in the UK since 2023, including Still life on Eastbourne Pier commissioned by Devonshire Collective, Towner Gallery and Eastbourne Alive celebrating the 2023 Turner Prize. A Master of Fine Art in Dance Creative Practice and a Leverhulme Performing Arts Scholar, he graduated from Laban and Independent Dance, Siobhan Davies Studios, London, in 2017. Previously Associate Lecturer at the Royal Central School of Speech and Drama from 2022-23, he has been a lecturer at the University of East London teaching BA Fine Art, Photography, and Commercial Photography since 2023.

Living on an iconic 1960s brutalist estate near the post industrial landscape and ecologies of the river Thames, and overlooking the ancient monastic Lesnes Abbey ruins and Abbey Woods, he makes, curates, collaborates, and performs, examining the experiential and affective ecologies, materials, and histories of his home site in London.

Contact: studio@adammoorecreate.com