Adam Moore creates installations, performance, and site-based works examining the fabric and spirit of life at local and global scales, translating the ephemeral and precarious substance of the world at large – from the London Docklands to the Caribbean and beyond – into forms and encounters across media. Using an array of fine art, photography, design and performance his projects draw on and reflect the experiential and kinaesthetic, bringing awareness to the sensations, positions, orientations, and vast and subtle movements shaping internal and exterior worlds. Born in London, creole diaspora growing up in a global community, his British, Caribbean and Central American heritage is reflected in his transdisciplinary practice using situated, collaborative socially engaged forms: he considers how spaces are felt, and participates in the choreographies of ecologies and constructed environments, inventing with people, places, and pluriformities.

In 2025 he was the inaugural V&A East Storehouse artist-in-residence where he presented new and in process art and design alongside work selected and curated from the V&A East Storehouse collections by photographer Hannah Collins, designs by Omega Workshops, and print by Gerald Holtom. Collaborating with artist Lotte van Gelder (NL) they performed and curated AVALANCHE The home site at the iconic 1960s brutalist social housing Lesnes Estate in Abbey Wood, London. He exhibited printmaking he developed in residence at the V&A East Storehouse at Somers Gallery, London, in the group show Las Palabras. Commissioned to open the show he performed a new collaborative work, After Lands, with his mother, Yvonne. In 2023 he was the inaugural V&A East X Bow Arts Artist Fellow and recipient of Arts Council England’s Developing Your Creative Practice award and the Jerwood New Work Fund. He has been creating commissioned public artworks in the UK since 2023. A Master of Fine Art in Dance Creative Practice and Leverhulme Performing Arts Scholar, he graduated from Laban and Independent Dance, Siobhan Davies Studios, London, in 2017. Previously Associate Lecturer at the Royal Central School of Speech and Drama from 2022-23, he has been a Lecturer at the University of East London teaching BA Fine Art, Photography, and Commercial Photography since 2023.

Living on an iconic 1960s brutalist estate near the post industrial landscape and ecologies of the river Thames, and overlooking the ancient monastic Lesnes Abbey ruins and Abbey Woods, he makes, curates, collaborates, and performs, examining the experiential and affective ecologies, materials, and histories of his home site in London.

Contact: studio@adammoorecreate.com

My work examines the substance of the world at large, the fabric and spirit of life at local and global scales. Parallel with my somatic, embodied dance practice my installations, performances, and site situated works draw on and reflect the experiential and kinaesthetic, how I sense my position, orientation, and movement in the world.

In galleries, museums, and sites I create installations and performances with dance and experimental design, curated with discrete fine and visual artworks including sculpture, drawing and painting, film, photography, sound, and text.

With an attitude of discovery I use situated practices and collaborative socially engaged forms creating public art and interventions that consider how spaces are felt, examining and revealing the experiential and affective, interrelated and reciprocal dimensions shaping people and place.

If my work were a concrete poem it could depict the movement of thoughts, ideas, materials, processes, energy, and forms. If it were an unstable chemical compound it could be made from light, space, my body and senses, places, visions, memories, movement, and beauty. If it were a map it could trace Minimalism, Post-Minimalism, Land Art, Arte Povera, ready-mades, craft, and technology. If it were a documentary it could tell the story of an atemporal and experiential looping journey from microscopic inner worlds, emotions, and granular subjective feeling states out into the objective solid geometries, architectures, infrastructures, and materials of the universe dissolving into oceans, across lands and seas, between people and ecologies, within oneself and beyond. If it were a song it could be a glittery pop love song, with a sexy, silky syncopated trap bridge that makes you dance and an interpolated anthemic chorus easy to sing. If it were a language it could be direct, magic, anxious, ancient, new; seemingly lawless, charming, without manners, romantic. It could balance all of this in dynamic alignment were it a mathematical equation which in some ways my work can be.