Bright Dynasty (Winter 2022)

Hypha Studios & London Borough of Waltham Forest


Supercritical, A Psalm 





Rotten.TV, Jupiter Artland



Ingestre Orangery


Umbra Penumbra Antumbra

UP Projects & Flat Time House



Bright Dynasty

Kunstraum, London


Bright Dynasty Paintings

Kunstraum, London



Netil Radio, London


1218D08B-E167-4188-BE7A-A4898CE6EF11SυΠℜISε τð SυΠSετ



Long Play Liberation: Transmission

The Place, London


Robert Smithson Forking Island (1971).

Smithson, Interrupted

Dance Art Journal 2021


Immineral Species


F572CB7B-6410-4EC5-94D3-1B6FEF23D76FLong Play Liberation

Newham London, Black History Month Celebration 2020


Leave your vessels

Guest Projects and The Yard, Hackney Wick


Maybe there will be stars

Haarlem Artspace 



Newham Spoken Word Festival, RAWLab


Healing Forwards: III points II cycles

Trinity Laban Laurie Grove Studios



Siobhan Davies Dance


Parallel Field

Limehouse Town Hall




London Topophobia 



Visual Arts Archive

Dough, Baby (2020),
Laura Wilson.
Open Space Contemporary at The Swiss Church

Deep, Deepen, Deepening (2019),
Laura Wilson.
Must Farm Quarry Achaeological Site, New Geographies with Norwich Castle Museum & Art Gallery.
Photo: Laura Wilson

Holding Shift (2018),
Laura Wilson.
Victoria & Albert Museum.
Photo: Hydar Dewachi

The Searchers (2018),
David Panos.
Hollybush Gardens.
Image: David Panos

you would almost expect to find it warm (2018),
Laura Wilson.
Block Universe at The British Museum. Photo courtesy of the artist (Adam Moore).

My Buddy (2018),
Laura Wilson.
Kettle’s Yard + The Gurdon Institute, Cambridge.
Image: Laura Wilson

Stone Draggers (2018),
Laura Wilson.
Bloomsbury Theatre.
Photo: Laura Wilson

Internal Context (2017),
Luli Perez.
Guest Projects.
Photo: Holly Revell at CARD collective

Passage (2017),
Fernanda Munoz Newsome.
ICA London.
Photo: Dimitri Djuric

Score for 30 Dancers (2010),
Joe Moran Dance.
Christ Church Spitalfields.
Photo: Joe Moran Dance

Secrets and other pass times (2009),
Florence Peake.
Toynbee Studios. Photo: Fabian Peake

© 2018 Adam Moore


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